Sihao He joined the Tianjin Juilliard faculty last fall and serves as the newly appointed cellist of the renowned Shanghai Quartet. He holds a bachelor's degree from the Robert McDuffie Center for Strings at Mercer University, and a master's degree from the Bienen School of Music at Northwestern University. With an extensive background in both performance and teaching — including his work with the Chamber Music Society of Lincoln Center — He brings a deep understanding of musical collaboration, a key element of Tianjin Juilliard’s programs.
Why did you choose the cello?
I started playing the violin when I was eight years old. During that time in China, students who played instruments could earn extra points when applying for middle and high school. When I was nine, I auditioned for a youth orchestra, but the jury didn’t think I was any good at the violin—they pointed out bad habits in both hands. However, one of the jurors noticed that I had big hands and suggested I switch to the cello. I had no idea what a cello was, but my mom said, “It’s like a bigger violin, but you can sit while practicing.” That convinced me right away! At my very first lesson, I was drawn to its warm, expressive sound—it felt closest to the human voice, and I was captivated by its ability to sing in both high and low registers.
What is the most difficult aspect of the cello?
Balancing technical precision with musical expression is always a challenge, as the cello requires both physical and emotional dedication. Music, in general, is a demanding yet deeply fulfilling art form. It requires both respect for the composer’s intentions and the creativity to bring a personal interpretation to life.
What are the top three secrets to being a successful cellist?
Consistent, mindful practice; deep listening and musical curiosity; and resilience in overcoming challenges.
Can you share more about your previous experiences in collaborative musicianship?
Collaborating with other musicians is such an imperative skill for all musicians. We communicate not only with words but with music as well. Playing with Chamber Music Society artists refined my chamber music skills and deepened my understanding of musical conversation.
Can you share more about your roles as an educator at Tianjin Juilliard and a performer in the Shanghai Quartet?
At Tianjin Juilliard, I guide young musicians in developing their artistry, while in the Shanghai Quartet, I continue to perform at the highest level. These two roles feed into each other—teaching refines my playing, and performing keeps my teaching fresh and inspired.
What would you like your students to remember from your teaching?
I hope they remember the importance of curiosity, discipline, and personal voice in music. Music is not just about technique—it’s about telling a story.
What is your one favorite thing about Tianjin Juilliard?
I love the vibrant, international community of passionate musicians who inspire and challenge each other to grow. I also enjoy the responsibility of guiding the younger generation on their musical journey through Tianjin Juilliard’s wonderful platform.
Is there anything that you are particularly looking forward to in 2025?
I’m excited about witnessing my students' growth and upcoming performances with the Shanghai Quartet. There are always new collaborations and musical adventures ahead!
